Bjork & PJ Harvey 惊喜的

Ms Dynamite & Chris Martin 轻松的

Summer, meet your replacement. Her name is Autumn. We call her Fall.
It's been grand, Summer. Lots of good times. OK Later.

What the hell... 乌拉拉乌拉拉

 pure eyes~ cute

      同样是种族主义题材，为什么Crash能拿Oscar?也许它的好莱坞味道没那么重,但个人总觉得味道不够,火候不到的样子.

      Norton的表演是没得挑,从Primary fear到Fight Club,出演的角色任务都不轻松的说,这个片是在大四临近毕业的时候跟猪一起看的,记得里面有一段Norton在监狱做工的场景,那个黑人狱友讲到女友探监时,最后一定不要黑着脸那段,接下来的模仿简直是绝了!笑死~

Cite电影里最后一段台词:

      "We are not enemies, but friends. We must not be enemies. Though passion may have strained we must not break our bonds of affection. The mystic cords of memory will swell when again touched as surely they will be by the better angels of our nature."

       偶们的社会没有太深厚的种族问题，但也不乏愤怒的人，跟电影里相应的应该是我们周围的“愤怒青年们”或者“一般愤怒青年”，自认为现在对愤怒还是偶尔发烧，所以还是可以归类到后面一个标签里。
       愤青的愤怒只是显现出来了而已。其实每个人都会有这样的阶段，讨厌一个东西很容易——找到了一个自以为比它更牛B的就行，于是你非主流了，你开始骂超女了；你阿迪达了，你把双星扔了;你看文艺片了，你拒绝好莱坞了；你Lomo了，你厌恶数码了；你看过爱摇了，你鄙视青年文摘了；你芝华士了，你抵制燕京了；你Apple了，你唾弃DIY了...
       所以呢，嗯，没有意见，人群本来就应该丰富多彩。只是一个人拒绝了太多所谓的俗物之后，会不会变得太单调？ 勇敢的迎合大众、主流，从心里接受它，也是需要境界的说

      再引一句Derek弟弟最后在作业里的总结，稍改一下作结尾：Angry is baggage, life is too short to be pissed off all the time, it's just not worth it 

       电影的最后几分钟给人的印象最深刻: 稳定的工作,单调的饮食,收藏的小面值邮票,每天睡前的电视里夹杂着雪花的肥皂剧,还有和老婆一起靠在床上,计算着宝宝出世的日子...这是的她会像电影里一样对你说"亲爱的，我们真的很幸福"么?

       PS:Fargo还是偶玩儿暗黑冰女巫时最喜欢的魔法@$!

       沉睡者，下载的动机是这部电影的演出阵容实在够豪华：Brad Pitt，Kevin Bacon， Robert De Niro还有Dustin Hoffman!对于后两个恐龙级人物，一直也不是很分的清,处女作一个68,一个67年,戏路大致也差不多.喜欢Robert De Niro的喜剧胜过那部愤怒的公牛,而Dustin Hoffman更多的是他的大鼻子和那口浓重的英伦腔.两个人除了这部电影还在后来的拜见岳父大人里有合作. 但是这部戏的重点人物不是这两位影帝(或许Robert也算是主角).其实Brad Pitt的戏分也不多,影片大概花了三分之一or五分之二的时间交代童年,童年在教养所受虐的经历.到上半集快完的时候Pitt才出现了第一个镜头.子.Dustin在里面演一个蹩脚的酒鬼律师,戏分最少,不过最耐看,特别是让他接命案的那段,笑得都不行了.总体电影稍稍有点拖沓.黑手党,复仇,虐待...这些题材也算不上新鲜,不过好在还有几个牛人撑台子,还是值得看看罢.

Artist: Primary Shapes
Album: Here There Everywhere
Genre: Indie Rock/Post-Rock/Dream Pop
Date: 2006

        昨天刻了两张碟,硬盘腾了不少地方,现在又快装满了.众多专辑里面,香港乐队Primary Shapes是能让人为之抖擞一下的作品,当时听完的感觉是貌似一片小清新小独立的香港摇滚圈子,居然有此类小强的存在.第一张做出来就玩儿DVD,潜力值甚高的说.风格嘛~~算Post-Rock和Dream Pop罢,很注重声响的一支乐队.曲目都以颜色命名,全E语,不知是歌词空洞还是另有意图,领会不到啊

        晚上去看调酒师表演,号称中国第一,世界第二,内容没什么好说,就那几样.让人感兴趣的是,据说花式3分钟能赚5000块,真的假的??那我还学什么劲??
        终于最后一丝也断了,倒也落个干净

    “Choose Life, Choose a job, Choose a career…”
The film Trainspotting opens with a memorable monologue from Mark Renton. The police are chasing him. What could he do? Choose these above, or going to jail, or to die?
    This is the story of Mark and his so-called friends—a bunch of losers, liars, psychos, thieves and druggies. They chose heroin, and the most degenerate life in the dirtiest corner of Glasgow. This is the plot of Trainspotting apparently, and the reason why it was disputed in these years. You may either love it very much or hate it. Few neutrals exist.
    If this is a film only plays up the decadence of youth, it should be throw into the dustbin when we finish see it. That’s no so simple. Trainspotting is not only about drug addiction, but also about the relationship between wasted youth and the spiritually bankrupt society which has reprobated them. It proposes the problems of how to choose life. In this film I had seen my own shadow on Mark, a little bit arrogant, a little bit shy; sometimes angry, sometimes quiet.
    At the end of Trainspotting, when those partners appeared in his life again, Mark found that he had already been incompatible with them. Then he chose betrayal, he found an opportunity to escape his fate at last. In fact, any guys would do that if he had the insight. It’s not a shame to betray. The shameful one is the man who is staying in the past.
    Although Mark was still running on the way of pursuing, he would not pursue purposelessly as adolescence. All he need to find is an adult's life style. “Cars, career, family,fucking big television, washing machines…”Mark moved on his way with a smile. Now, I’m on the way to my dream too. Maybe one day, I will meet Mark; the young man whose youth has been fade from his memory; the young man just like me.